Showing posts with label Shirota Yuu. Show all posts
Showing posts with label Shirota Yuu. Show all posts

keizoku (pt2) 2 SPEC first blood [series] + keizoku (pt3) 2 SPEC Shou + Rei [drama specials]

Part 2 in the keizoku epic, moving into the realms of super natural stupids with Toda Erika's genius



Yes, I know I'm  posting these in totally the wrong order. I should do Keizoku before SPEC but I haven't completely finished it yet. I was so in love with Toru that I couldn't keep watching Keizoku, which I started along side SPEC, I just ran off with this one and got carried away.

I'm doing the cast list to include the specials as well, I'm not planning on splitting the post up so formally as I did with Galileo to explain it part by part because it is a pretty steady flow from the drama to the specials. I'm not going to do a full list in each post either, there are so many secondary characters I cant be arsed with trying to keep track.


The final special is a prequel but is more tied into the main series than the movies so these three (the series and two specials) really feel like they should all be together like this. Hence the one post sure to be rambling and incoherent. 

Cast list: 

Toda Erika - Toma Saya 
Kase Ryo - Sebumi Takeru 
Ryu Raita - Nonomura Kotaro 
Kamiki Ryunosuke - Ninomae Juichi 
Fukuda Saki - Mirei 
Shirota Yu - Chii 
Tanaka Tetsushi - Reizei 
Shiina Kippei - Tsuda 
Arimura Kasumi - Miyabi chan 
Ito Takeshi - Shimura 
Kitamura Kazuki - Kikkawa 

Guests: 

Yasuda Ken, Saito Takumi, Kamikawa Takaya, Omori Nao, Nishihara Aki, Kawashima Umika 




The specials really bring the show into its own but the movies take it out into the permanent position in my hall of fame for genius dramas I will never forget, they need to have a separate post to cover them. 

So for now, I will just start with the absolute genius that is Toda Erika in this stupid brilliant weird epic drama about moral struggles with power and humanity. 


The series really found me adoring Toru instantly, then becoming more interested in Ninomae towards the end and jumping for absolute joys every time he made his appearance. 

It was the specials which made Sebumi come full swing into the madness. 

I was already enjoying his character from the series but by the end of the first special his character was showing all the signs of the greatness to come. 

Toru and Sebumi (in different ways) come to work for a special unit investigating unsolved cases. Its the same department as in the first series of Keizoku, working under the same chief - Nonomura. 

But this series flings us into the arms of crazy with these two weirdoes - Toru has become completely weird after everything she has been through, and Sebumi is highly strung and butts heads with her at every corner. 

This is no normal detective drama. This is sci fi with every odd super power you can think up. A few very strong adversaries show up over the course of the drama and Toru and Sebumi have to work together to fight off pretty much the everyone they encounter. 


SPEC holders are humans who have evolved to use more of their brain power than normal humans - in ways that don't follow our laws of physics or lay in our usual scope of comprehension. Toru and Sebumi have to uncover these powerful people, work out which side anyone is on at any given time, and try not to get killed or kill each other in the process. 


An underhanded few put a massive spanner in the works, throwing the question of morality into the forefront and even Toru and Sebumi begin to question each other. 

Ninomae - who at first appears to be a mastermind behind the disasters happening around them, is not what he seems. 

A whole back story between him and Toru unfurls and the lies become untangled by the detectives' sheer will power and emotional strength. 

Sebumi becomes super human in his own way - though he is not a SPEC holder - by fighting off the powers that confront him with a strength of spirit no one would ever assume a human could possess. And it becomes hilarious how tough he is in the face of pain and struggles - excessively determined as a morally righteous man, it is comically over the top but still so easy to get emotionally invested in as a viewer. 


Toru then begins to show her own powers - at first she looks like some sort of savant in the early episodes of the drama, but as time goes on we realise she has SPEC too... 

A very unnerving and potentially terrifying SPEC, which we fully explore in the prequel special Rei. 

In the main series as Ninomae and Toru battle it out we find the fly in the ointment - sending the story off on a whirlwind. 

The specials follow that side path further so we can get the fantastic combination of Toda Erika and Kamiki Ryunosuke for a bit more - they are so funny together. 


The second special is the prequel explaining the back story that led up to the mess Toru and Ninomae found themselves in. 

The prequel is great because you understand what has gone on between them before obviously, but it leads so well into the first movie, setting up for my super joys because I really love those two. 

I could easily have watched a whole series of just them two d*cking around. 

Its very emotional in places, but generally very funny and slapstick, its just the perfect mixture of all those things that make you love dramas. 

I was worried when new characters turned up in the Keizoku department in the Shou special, but it became a brilliant addition... 

Kikkawa - so funny I cant even explain how much I laughed at his Yakuza speech and his stupid goofy acting. He gets better in the movies too. 


I love Fukuda Saki, I think she is lovely to watch any time, so I was really happy that her character continued on into the rest of the specials and movies. 

As I've said before, Tanaka Tetsushi is great in everything, and in SPEC he made me really warm to the odd guru Reisei over these episodes and specials. 

I love all their awful swearing in English for no reason. 

The special effects are not too over the top, and the characters are all unique and weird in their own inventive ways. 

Lots of shouting, moral dilemma - saving the world or joining the dark side kind of talk, and lovely little stupid moments between all of them bantering and joking at totally inappropriate times. Well, maybe that was just Ninomae.


I think that the guest starts were perfectly cast, everyone had a great side story and I didn't realise until nearing the end of the first movie Heaven, just how much they had all gone through. 


With so many specials and movies it really is a long journey but worth every second. The quirky acting styles, the ingenious characters, moral messages intertwined with banter and bickering that would make a Korean romance drama embarrassed to be heard, all makes this show unique and worthy of so many continuations. 

Ninomae has become one of my favourite characters of any drama, I liked the whole progression of all the main characters, and now I have to try to continue this review for the movies. 

Some how I have to explain the evolution from this series and its specials, to the unbelievable epicness of Heaven and incarnation and its finale reincarnation. And how to explain these two upside down guys ^

Its hard to see any of it as a stand alone so that's mainly the reason I have not gone to great lengths to separate the specials from the drama, but for the movies they step up a gear, well, about 12 gears, so it needs a bit more of a rant. Plus it will involve spoilers to the series so on to the next post!! 

 ...to be continued...







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Kuro Shitsuji 黒執事 [movie]

So close... yet seriously miles away from anywhere that resembles a dark and broody film...




Yes I was disappointed. But as soon as i found out the main was Gouriki I knew what I was in for. Are they just casting her because she is the only girl they know with short hair? Because wigs people! Wigs! Please stop casting her in things I should love by rights, and turning my beloved TV into pig swill. I don't care that she was absolutely amazing in Otoko demo onna demo nai sei, she sucked in EVERYTHING ELSE. And when do I ever use caps on this blog.

Cast:

Mizushima Hiro - Black Butler Sebastian
Gouriki Ayame - Genpo Kiyoharu  / Shiori
Yamamoto Mizuki - Maid Rin
Yuka - Hanae Wakatsuki

Ohno Takuro - Matsumiya Takaaki
Kaito Ken - Genpo Arihito
Maruyama Tomomi - Akashi
Yuu Shirota - Charles
Yasuda Ken - Tokisawa Ichizo
Hashimoto Satoshi - Aoki Munemitsu
Ibu Masato - Kuzo Shinpei
Kishitani Goro - Nekoma Saneatsu
Kurihara Louis - Jei




We have another Horikita Maki on our hands with Gouriki. At least with Maki she is likable, she's as bland as all hell but at least she is likable. 

Gouriki has no redeeming features so far and I'm annoyed that she keeps cropping up in things I would usually love. 

She had a flicker of nice acting for a couple of lines she spoke right at the end ^ but other than that I got nothing. 



The rest of the cast was really great - the cutest maid ever Yamamoto Mizuki really should have been the main but as I am not queen of the world this did not happen. 

Plus I dont think anyone would believe she was a boy.... But they still had Gouriki wearing f*cking eyeliner so go figure.

You might be able to tell from my tone and less than linear speech flow that I was annoyed with this movie. 

Poor Mizushima Hiro was doing his best Kamen Rider cheese acting and all the emotional eyes acting that he could muster but was met with bird faced Goubiki (beaky / biki - counter for birds - see what I did there? No? well yeah I guess that was super lame) - Oh just seriously her acting is so boring. 


Kuro Shitsuji is supposed to be dark and broody, instead we got flat and uninspiring, it should have been sickly humourous, but instead we get a one sided charisma show from which we can only feed from the butler - nothing from our dear master at all. 

The story was interesting - the subject matter could have been really described well by a dark more sinister tone, but instead it felt like watching a mystery drama. 

No sense of urgency even though everyone is on the brink of war death nasty future kinds of evil. 

I dont know what the hell they were thinking making the movie this way. It had so much potential and a budget they could play with. 

Yuka (Akumu chan) was fantastic - really seriously putting Gouriki to shame - if you hadnt already spied the distance in skill level between her and Mizushima then watching Yuka go crazy at the end should put the nails in Gouriki's crappy cardboard coffin. 

There is nothing raw about her. She doesn't bring anything out of the characters she plays which makes them appealing. I wanted so much to be surprised by her, but she pales in comparison to her fellow actors. And it really winds me up.


As with most things that I watch, I tried to put all that aside and just watch, and let myself just get into the story. 

I think Mizushima helped convey all the subtle weird things that go through the black butler's mind very well. 

His character was described by all the slight movements of the eyes, narrowing and widening without changing the tone of voice, he is king of that. 

Smiling with his eyes but not a flicker in the mouth - he really is super king of that. 

The black butler is a demon, this kid makes a deal with him so she can take revenge on the people who killed her whole family. 

The black butler wants her soul in return for his aid and protection, but the more twisted she becomes by her desire for revenge and hatred and mistrust of humans, and the more darkness she falls into, the more he happy he will be to take her soul. 

There is a conflict within him, caring for her all those years but also wanting her to die, it leaves him almost in love with the internal struggle they both have. This is all shown very very subtly through this movie and you might miss it if you didn't know it was there - or if you weren't paying constant close attention to the butler's emotional eyes. 

The young master is a little more simple to deconstruct, she is just a vengeful human, but spending so much time entangled with a demon who wants her to ultimately die for him takes its toll on her - her personality is darkened by this even more. Not that we see that. Goubiki just looks like someone stole her biscuit.


On the hunt for a killer who threatens society in a unexpectedly huge way, they realise that the master's history is linked to this case, and so things explode in a mass of treachery and deceit around her. 

I think my description does this movie a little too much justice - I made it sound darker than it was - as dark as it should have been. 

There were some great moments, dont get me wrong. I just think it fell a little flat. It could have been amazing but it felt cheap and standard.

Still, Mizushima looked fantastic. That's pretty much all anyone is going to watch this for.



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