Showing posts with label fukuyama masaharu. Show all posts
Showing posts with label fukuyama masaharu. Show all posts

Soshite chichi ni naru そして父になる [movie]

What's wrong with this picture...



I have to review this movie for an assignment in my Japanese class so I thought seeing as that's my thing, that's what I do, I should do it here first to collect my thoughts before I try to write a rant in Japanese. I wont be translating this, I don't write in English and translate into Japanese for my assignments because that's a really bad way to write, I just write straight into Japanese. I just want to get some of my more ranty thoughts down here first before I write my actual piece because I have some thoughts that I might want to omit from that... like all my anger and frustration

Let me outline the premise before I completely lose my shit.

Two families are told that the 6 year old sons they have raised are not biologically theirs; switched at birth by a negligent hospital. Although the mothers have bonded with their sons it is clear that the father of one has not. He is the head of an affluent household, pushing his son to be more than he is capable, never feeling his son lives up to his name, and on hearing the news from the hospital, he understands the situation as making sense; of course this boy is not his real son after all. The other family is less well off, with a fun and down to earth father at the helm. Although this father seems concerned with a payoff from the hospital rather than switching the children back, the discussion ultimately begins.

This movie brought up a lot of issues, it deals with a subject that is not going to be easy from the outset, but I was a little angry with people's reactions in other reviews, and just weirded out by the way no one commented on the things that I noticed above anything else. 

I spoke at length with Cami-chan about this, and we came to the conclusion that people take movies a little at face value and don't internalise them the way I do, or they at least suspend reality a bit, which would be completely fair enough if that were the case. But if fans of movies can get so intense about the things they think of as wrong with the physics of super hero movies and the lack of realism in romantic comedies, then why the hell did reviewers not pick up on the one sided portrayal of family bonding in this movie?

Well, that's just it. I think that the film makers were obviously showing this from one family member's side, and it really only focused on his lack of bond, and didn't really explore from another angle. But I felt like that was so cold and ridiculous in a way. Now, I know that they probably think this issue, in a sense, would be much more likely in Japan, where the bonds of blood are traditionally so important, but also they have a very understanding view of adoption, where its much more commonplace there than in the western world and the family register is just a document you can be signed onto. So what the fuck? I understand the context but you wouldn't give up a child you have spent 6 years with. You just wouldn't. The mothers in this movie wouldn't. If it was a real context. Why did no reviewers pick up on this? There was no realistic struggle to keep the child they bonded with. I cant reconcile these issues. 

I can see how audiences might believe the minor torment the mothers seemed to have in giving up their children (not much at all in comparative terms to reality but whatever) but I can't understand why reviewers in western countries let this just go, especially when they had no context for Japanese culture... I mean, is that it? Japan is so 'other' that they think they would be so traditional that they could give up their children of 6 years? Guess so. I just cant believe people would do it so easily. I don't believe Japanese people are 'so' traditional that they would see things so callously and their doctors would not comment on the mental health of the children. 

And yes, I think the movie's portrayal was easy compared to how I would see it happen in reality. The doctors mention nothing of the child's mental health in terms of the damage it would do to give him up after 6 years of bonding, they merely say they should do it sooner rather than later... but it is way too late!! 6 years is way too late! I mean, do doctors in Japan no nothing about human development and psychology? Of course not. They would know that the effects of giving up a child after 6 years and throwing him into another family would have devastating effects on his mental health. Irreparable. I don't find this realistic at all. Do I give them more credit than they deserve..?

Because what is even more bonkers, is that this actually happens in real life. And even with once switched at birth grown adults, they discuss whether they should switch back. With adults?? Why are you even discussing this? You live your whole life with those people as your children, as after 30 years or so you 'decide' not to switch back when you find out they aren't biologically yours... Are you crazy? Are you actually fucking crazy? I can't even slightly understand this. They are yours, and have been all that time. There is no decision not to switch, you are just a family already. Shut the f*ck up.

Yeah this pisses me off. This really really pisses me off. Its mostly that the doctors were not portrayed as caring for the children in a medical way at all, and the mothers did not fight to keep the children they have loved for 6 years. I understand we would see it as the film showed, if we just look through the  one father's eyes, but we don't. We see all the other characters, and don't see them struggle with this. I'm sorry, but what we see of the sad mothers is not a struggle. They don't fight this. This would have broken up my marriage; if my husband wanted to give away my child. Look at it black and white, that is what is happening here. 

What about the other family? They didn't just refuse. Why?

The more I think about it the more annoyed I get. 

This concept is nonsensical to me. Absolutely stupid. 

This movie won so many awards, as movies that tackle difficult subjects often do. I no longer hold award winning movies in high regard on that basis alone, if I ever did before, I always watch before I judge, because things like this happen. I will rewatch it again today, and see if I pick up on anything else that eases my distress, but I really just hate it more and more the more I think about it.

Such a great cast, the two women from Saikou no Rikon who I adore more with every subsequent drama of theirs I watch; Ono Machiko and Maki Yoko, and the two fathers played by Fukuyama Masaharu (Galileo) and Lily Franky. The kids are also great; Ninomiya Keita and Hwang Shogen both had very difficult roles to convey but did so perfectly. 

The scene where the boy from the other family apologises for wanting to go home to his parents... says it all. He loves them, and has to say sorry for that. What a terrible thing to do to a child, to make him feel sorry for loving his parents. I mean what the hell are you doing to those children??

I just don't know what the hell to think. I have in the back of my head a voice that tries to say  'but in a situation for real you never know how you will feel' but then I realise that its only saying what I think its supposed to be saying. Its not really the voice of reason at all. The voice of reason says 'you'd have loved your child, and would have done for 6 years, you wouldn't you even consider it.'

Maybe because I didn't watch this alone, but in a room full of people, I didn't absorb it the way I usually would have, and missed some important emotional journey. But I don't think so. I was fighting back tears all the same, no matter how many people there were in that room I was still intently watching that movie expecting to see, at anytime, one of the characters stand up and say 'no way am I giving up my child!' and that be it.

I think in a way this film serves to tell us, look what will happen. Even if you try to give up your child you will never get over it and it will never be ok. So learn from this, and realise your bond is what you created over time, not by the accident of birth.

You don't choose your family. That is the phrase isn't it? That isn't because of the blood tie though. Its simply that you don't choose who others turn out to be as people. Your bond is there, and you grow with them, no matter what. The thing you actively choose is whether to support them or throw them out like trash. If your child turns out to be gay, or suffer from a crippling neurotic disorder, or is just a bit academically stupid, you cant have an opinion about whether that is preferable or not. You are not your child, you just love them. That's your only job; to love and protect, care for and raise your child, whoever the hell that is. If you spent 6 years doing your job properly, then you wouldn't care whose womb they came from, or what person they're going to become, as long as they are safe and happy. 

I guess the whole focal point of this movie is that the father didn't do that job well, therefore he didn't care. That is the real issue they want to discuss, so I understand not focusing on any part of the issue I'm raising, but for no-one else to notice this and comment on it, leaves me a bit disappointed in humans yet again.

Unfortunately that is all I've taken away from this film.



~


Galileo ガリレオ [series] [movie] [series]

The infamous Galileo - just as cheesy as it's spoofs...





super pout award.

Cast list


Fukuyama Masaharu - Yukawa Manabu
Shibasaki Kou - Utsumi Kaoru
Kitamura Kazuki - Kusanagi Shunpei
Shinagawa Hiroshi - Yuge Shiro
Watanabe Ikkei - Kuribayashi Hiromi
Maya Miki - Jonouchi Sakurako
Hayashi Tsuyoshi - Murase Kensuke
Aoi - Taniguchi Saeko
Fukui Hiroaki - Kobuchizawa Takashi
Takayama Miyako - Watanabe Miyuki
Ito Takahiro - Mori Eita


Writing this as I'm getting the screen shots from the film, which I might add is quite savage to begin with - I was a little shocked. 

But for the time being I'll just concentrate on one bit at a time. First off, series one. 

I've seen this show's adverts and spoofs for years now, caught bits of episodes, seen tv spots related to it and finally got around to watching it fully this week. It was funnier and less grown up than I was expecting but enjoyable due to that reason

I have loved Shibasaki Kou since first watching Battle Royale all those years ago, and when I saw the adverts for Galileo2 coming last season and a new spin off this season I decided it was time to dig it out. 

Broken hard drive still, so I'm streaming. Un-f*cking-happy.

But I still managed to get some half decent screen shots at least. Its not easy when you don't have the files. I really don't like using streaming sites to capture my screen shots from. But these will do ok.  





Galileo is everything you would expect from a crime thriller twisty turny mystery drama; 

the science and baffling dialogue (I could barely understand), 

the argumentative friendship between the main characters, 

and all the problem solving myth busters style

complete with stupid over the top re-enactments, experiments, and ridiculous conclusions drawn from the smallest of sparks of inspiration - always connected to something random that Galileo just happens to already be thinking about at the beginning of the episode! 

It's ok to suspend logic and reasoning for tv but it feels weird to do that for a scientist who continually belittles the lack of logic and reasoning. 

Its pretty fun and lighthearted considering these are murder cases being solved. I can't really say the same for the movie. Its quite sad, violent and makes my sympathise with the perpetrators. 

So on to the plot of series one.

University scientist and general logical genius Yukawa sensei is contacted by rookie detective Utsumi with requests of assistance on complicated, seemingly impossible, murders. 

It causes a disturbance in the lab on many occasion and it appears to me that they never got any work done - just like the students in school dramas never actually go to class.

There are the flashes of mad inspiration then the frantic writing of equations on any surface with any thing - many times using things I'm pretty sure wouldn't make a clear chalk like mark on a random surface, like a blunt stone on bit of plastic or something, but whatever.

It reminded me of Godhand Teru and I realised how many things must have taken inspiration from the Galileo manga. That Galileo moment of enthused scribbling of equations in a mind whirring chaos of thoughts, questions and discoveries is the life and soul of a mystery drama. 

I like all the little moments where Utsumi sees Galileo doing something cool and goes a bit weak at the knees - I can't blame her I guess, but the cutest moments are her frustrated pouts and complaints as he does what he pleases in spite of her protestations. There is a great chemistry between them.



With guest stars of the likes of Katori Shingo (kasukana kanojo)Yumiko Shaku (sky highFukada kyouko (Tenshi) and Muga Tsukaji (The Handsome Suit) it is a good class of actors and typical prime time drama.

I think it is an easy watch considering it is essentially a thriller crime drama. 




Galileo: yougisha x no kenshin 


With the movie it took me half an hour to get into it - basically the moment I realised Galileo sensei was pitted against a mathematician it became truly interesting. 

I really felt bad for the people they were trying to catch though. 

Yes, they shouldv'e reported what happened straight away - it could have been self defense, but I can't help sympathise with them.

As far as situations go, if   your violent ex husband shows up and starts kicking the living sh*t out of you and your daughter then yeah, I'd say strangle him with a power cord too. But to cover it all up is the worst plan. Especially in a world where Galileo exists to foil your every move. 

It looks like a proper movie, but of course without a need to explain any back story with regards to the main characters, so it kinda jumps right in there. 

It has a much more dark and serious feel, hardly any lighter moments at all. 

It centers mainly around Galileo rather than Utsumi so it really doesn't let up much. Relenting and much more unfriendly. 


Not so easy to watch, but after the opening incident it isn't exactly the darkest thing I've seen by a long shot.


Definitely interesting enough to hold your attention, (jitsu ni omoshiroi as it were) with enough twists and turns to throw your solid opinions up into the air and make you start all over again. Exactly what happens to Galileo i guess. It is a pretty sad story with a somber ending. Bittersweet and tragic from start to finish. But beautiful in its own way.





Galileo 2 


series 2 sees us back to usual form with antics much more comfortable to the general viewing public. This time with the little miss Tokyo Dogs cute face memory loss girl Yoshitaka Yuriko being generally infuriated with Galileo and his disregard for anything else other than the details he is interested in.

And she is super cute still.


Takao Osawa (A Cheerful Gang Turns the Earth, Ichi, All about Lily Chou Chou, Sky High, Halfway) is our first guest star crazy person as we are thrown straight in to awesome super villainy ingenious tricks this time set in a kind of commune and some dubious mind control.

Yep, truly back to form. Much more lighthearted and stupid. Personally I prefer it this way. Its just a shame that Utsumi goes overseas and we don't see her much. 





Kirishitani is pretty pushy and rude, gaining less than appealing nicknames for herself but finds herself falling down the same road as Utsumi did when she was first getting to know hen-jin Galileo and becoming more and more involved with strange cases which require his assistance.





She rubs everyone up the wrong way for a while before settling into her role just as Utsumi did, and takes her time understanding Galileo while being led around by him in the ways he does so gracefully. 

She has more arrogance than Utsumi, maybe not so likable at first, but it brings a slightly different dynamic in to the show which is probably a good thing as it would be a mistake to just carbon copy Utsumi into the second season. 

I prefer Utsumi, but I guess its the starry eyed view of a first love striking again as it does with all my beloved drama characters.

That's about it. Only I wish they wouldn't drink so much coffee and make it seem so delicious. It makes me drink too much.







I will be watching episode zero and all the other bits before the new spin off with Shibasaki Kou in the summer.

Looking forward to having Utsumi back again for a while.


~


*update*

*possible akumu-chan spoilers if you can read into this crazy sh*t i babble.*

convo on FB with Mikey as i try to panic learn kanji for my exam in 4 days:


Kanji is like that annoying person you get lumped with that you hate and have the most loud argumentative friendship with built on mutual distaste for each other, you know the one that in dramas they bicker constantly and moan about being in each other's presence until they finally get together.

can we skip to the bit where we get married please????


And are doing the living in Japan part


let's not let it be like Galileo. He winds her up so much but has little flashes of awe when she sees him do cool stuff. You think there might be something there but SHE STILL FUCKS OFF TO AMERICA.

when im living in japan i need to be at least at the stage where me and Kanji dont argue ALL the time.

i dont want to give up and be replaced by memory loss girl.

If you are still arguing with it I'll come give you two counselling
Which in turn will probably counsel me too as I hate it also, the little liney bastards

Utsumi got her own spin off show.... does that mean i will start learning Korean properly? ive taken this analogy too far.

Just don't develop a brain tumor, I don't really want to find out if Kanji will be there for you or not

really intelligent. compare your learning to one of the most confusing shows on earth. yeah, probably better than using 1 litre. good job i didnt use the last one i saw, akumu chan. arrhghghgggg the ending! if it is that one,,,,,my kanji boyfriend is the father! but only from the chin downwards.
what the fuck am i saying...

I'm just lost in the endless sea of analogies now

im posting this convo under my galileo review. ^^


FAMOUS. Snap