tumbling タンブリング [series]

its basically gokusen with leotards.
im sure it was terrible but i was too distracted by nisshi and fuchi to care...


original tumblers:
yuta - seto koji (atashinchi no danshi, rinne no ame, koizora)
mizusawa - yanagishita tomo (takumi-kun, akai ito)
kaneko - tamoto soran (furuhata chugakusei)
hino - nishijima takahiro (ghost friends, delicious gakuin, ai no mukidashi)
tsuchiya - tomiura satoshi (hana yori dango, taiyo to umi no kyoshitsu)



yankee tumblers:
wataru - yamamoto yusuke (antashinchi no danshi, hana kimi, rinne no ame,)
ryosuke - miura shohei (gokusen, giragira, school, koizora)
nippori - kaku kento (samurai high school, taiyo to umi no kyoshitsu)
kiyama - daito shunsuke (hana kimi, nobuta o produce, rescue, shibatora,
               futatsu no spica) [i call him fuchi so dont get confused]



others:
natsuko (wataru's mum) - otsuka nene (tokyo dogs, saigo no yakusoku)
kashiwagi sensei - akira (hana yori dango, yamagata scream)
mari-chan - okamoto azusa (moyashimon)
akabane (wide jaw skunk hair boy) - isaka tatsuya (water boys)
tashiri shigeo - sato jiro (gokusen 3, densha otoko)
ezaki sensei - kuninaka ryoko (hotaru no hikari)



the main cast is quite large so i thought id get that out the way in one go.

also, i want to point out that this is a totally biassed pointless review. most of my shots seemed to be of nisshi so i had to go and do them again. bear with me and my minor obsession and i will try and explain as much as i can around my fan girl moments.



right, its bad. its really cheesey. its like a gokusen wannabe with jumping and leotards. it completely won me over though.



i couldnt take yamamoto seriously at all doing his joey from friends acting. the way he threw is bag down all the time became funnier and funnier to me the more he did it with those permenantly flared nostrils. and sato koji didnt stop crying throughout the whole program. literally a few minutes break then he was off again. every damn episode.



tomiura satoshi's soft high voice commically lept out against the yankii's grrrrrring, shouting, and yakuza wanna be talk. but i do think he's great. dont get me wrong.

yanagishita plays another flakey gay which made me sigh: ah bless you useless takumi-kun. it was hysterically bad but he does it so well.



daito looked so stunning i squealed fuchi! everytime he came on screen.
seriously, bruises and a split lip really suit some people so much that its
almost a shame when they havent been fighting.



i was just screaming team moody ass hino! through the whole thing even though i had to wait untill the end episode 7
before nisshi cracked a smile! its just cruel.   ひどいよ!



and when nishijima smiles its like the sun coming up, he cant do them small, its like his whole being is made of smile. the contrast was hysterical. (it wasnt meant to be).



absolutely adorable. big squee for nisshi right? yeah you know it.

ah i should probably tell you what its about.

it centers around a gymnastics club basically. a load of yankii sh*t heads (who are really nice guys at heart as they always are) join in and it begins to save the angry nutters one by one in gokusen abandoned warehouse stylee.



wide jaw skunk hair boy ^ wants to f*ck everything up so he does and all the guys change into better people through their own trials and their friend's dilemas.



it has some bizzare camera angles, lots of sitting on the beach at sunset, and, of course, those token abandoned warehouses have perfectly placed steel poles to beat the sh*t out of school boys with as is the way of things.



but seriously people - you get to watch nisshi prancing about on a gym mat -
do you really care what its about?



ah and also fuchi's character goes 'nanas and beats up people quite a lot with scarey eyes and major serious face - which is awesome - and slightly more believable than yamamoto   :p

it was funny that lovely miura shohei basically played the same character that he played in gokusen. but with some leaping about in shiny pink clothes.



it was very funny. sometimes because it was meant to be (baka sato jirosometimes because i was just plain laughing at it . (the wataru and ryosuke making friends flash back. god that was bad)

i think it would have made an amazing stage show though. i'd truly love to see it onstage. it is perfect for it i think. im useless. i havnt said anything about it really have i?

its about kids finding somewhere they belong, finding their morals, understanding true friendship... yeah its basically gokusen without yankumi plus jumping with shiny clothes.



one of the things i did notice is how good their bad tumbling was. these guys are all pretty accomplished in leaping about like pros, so doing bad falls and not landing flips properly is quite a skill.

the good tumbling was stunning aswell. from all the teams you see thoughout. i would have like to see more dancing and stuff - thats kinda of why i think it would have made a good stage show. less d*cking about on the beach more shiny clothed jumping beans.



truth be told, i only watched it to see nisshi doing acrobatics and fuchi beating people up, i wasnt expecting award winning tv. so i quite happily squeed (not a real verb) all the way through.



its completely predictable, lame and cheesey. but you will have fun watching it. i did.
massive nisshi smiles all round.




~

ai no mukidashi 愛のむきだし [movie]

sion sono   - making the perverse palatable.


ai no mukidashi is the epitome of japanese cinema,
absolutely hysterical but also pushing the boundries of what is moral,
comfortable, and even presentable.



with ai no mukidashi (love exposure) writer/director sion sono (sono shion)
created a four hour long masterpiece of perverse, disturbing, rip roaringly
funny stupidity. making the insanely surreal and dirty completely watchable.



this is not a film i would choose to watch with just anyone, actually there
are very few people i would be comfortable viewing this with, but on
the flip side - this is a piece of art i cannot help but advise people to see.



as it is so long it is more like a mini drama than a movie
and it is split up into chapters. to tell the truth though,
there is no trouble in watching it all in one go.




explaining the premis may be a challenge but i will try...

yu, played by the wonderful nishijima takahiro
(delicious gakuin, ghost friends, and the dance pop group AAA) is the
son of a devout catholic priest, played by watabe atsuro (godhand teru).



in order to please his increasingly messed up father
yu believes he must sin as much as he can
so that he has something to offer in his fathers intense confessionals.



yu befriends some thugs and their gang, winning them over instantly with his
adorable nature twinned with his unshaking desire to sin,
and is taught how to steal, fight, and take covert photographs up girls skirts.
(using full on action stunt man type flips, commando rolls,
team tactics, and swift acrobatics in order to do so)





though at heart he is still pure and innocent
yu is soon dubbed the prince of perverts.



after losing a bet with his friends yu walks through the town in drag and
comes across yoko (mitsushima hikari), whom he doesnt know at this point,
in a fight with a huge gang of guys.



yoko and yu beat the living crap out of them all and they fall for each other...
although yoko thinks yu is a girl.



all this is being watched (and orchestrated) by koike (ando sakura)
a cult leader and underworld crazy person.



her obsession with yu
and gaining his family in her cult drives her to devise twisted plans
involving yoko, her adoptive mother,yu and yu's father.



everyone has some kind of abuse or torment in their past.
it is a little disturbing but it is not lingered on in a horror or thriller type way.



it is a little brutal at times but is always shot with the same surreal light as
the rest of the movie. somehow even with all the humour
the darker scenes dont feel out of place.




this movie is completely nuts. i cant even explain just how crazy i felt
after watching. but i left the film with the same little
scream of laughter with which i entered it.



i should say a little about mitsushima hikari for a moment.
she gave a phenomenal performance and her character was thrown from
one situation to the next in the most taxing of ways.



from her abuse, rebellion, disgust with men,
and her love for miss scorpion (yu in drag),
screaming a whole passage from the bible at her kidknapper,
being brainwashed, and eventually coming to an emotional realisation
that everything she and yu had been through was
completely and utterly screwed up.




that is a lot for a girl to act and she showed her
mature skill through such a young vessel. absolutely flawless.

nishijima takahiro was an absolute star in my eyes from before
ai no mukidashi but boy am i glad i found this movie.
what a performance. i dont think im ever going to look at him in the
same light ever again.



the constant shots of him with a rather large hard on made me
scream with embrassed laughter, and his comic acting throughout
is so natural that it is almost accidental,



but somehow he is completely believable when switching from the
intense smiling masochist calling for his father to hit him again,
to when he is desperately trying to save yoko from the cult
and is screaming and going nuts with a samurai sword.




looking at it now, i cant think of any two people who could have
delivered these roles so innocently. and that is what they needed.
it would not have worked without nishijima's playful smile
and mitsushima's deep eyes.



i felt truly mental for a while after watching it. it is like a void of surreal insanity.
what a piece of art though. ive never seen anything quite like it,
and i think i never will.




this film won an awful lot of awards, and it is not hard to see why.
i almost wish sion sono had been allowed to run with it being its
original 6 hours in length but i darent imagine
what else happened in those two lost hours.



i am just happy that something so perverse was watchable for me,
if it had been too dark or graphic i would not have been able to appreciate it.
i doubt i would have even tried to watch it.



but as it stands it is a completely accessible 
wrong but constantly funny movie
well worth setting aside four hours for.








trailer: